A waste mold and casting from the artist's original clay sculpture.

The plaster original layed out with registration marks and cut lines.

Welded steel primary structure to secure
armature and carry weight of the clay.

Finished armature with approximately
two fingers of space left for the clay.

Small pin on pantograph marking point on maquette.

Points on maquette which reference ponits on the enlargment.

The base layer of clay with points marked from maquette.

An enlargement taking shape.

Completed enlargement ready for the artist to finish surface.

Upper torso with reference points from the maquette.

A ten to one enlargement using a different enlarging method.

Calipers can be used to find symetry desired by
artist/architect not found in maquette.

An armature following the form.

Finish modeling is avaliable if needed.

Because of a strong armature holding the clay, the enlargment can
easily be transported to the artist studio for the finish modeling.

The artist Larry Nowlan with the finished enlargement.